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Martin Mull came to national fame with a recurring role on the Norman Lear-created satirical soap opera "Mary Hartman, Mary Hartman," and the starring role in its spinoff, "Fernwood 2 Night." ...
Martin Mull, who died last Thursday at age 80, took a curious route upon receiving his Master of Fine Arts degree in painting from the Rhode Island School of Design. He became a comedian — a calling ...
Martin Mull, the deadpan comic actor, singer-songwriter and artist who won widespread attention in the 1970s on television shows like “Mary Hartman, Mary Hartman” and “Fernwood 2-Night ...
DAVID BIANCULLI, HOST: This is FRESH AIR. I'm TV critic David Bianculli. Today we're starting off by remembering Martin Mull, the comedian, musician, actor and artist who died last Thursday at age 80.
Martin Mull came to national fame with a recurring role on the Norman Lear-created satirical soap opera “Mary Hartman, Mary Hartman,” and the starring role in its spinoff, “Fernwood Tonight." ...
Mull was a comfortingly disquieting presence — deceptively normal, even bland, but with a spark of evil. Martin Mull is with us, one felt, and that much at least is right with the world.
Martin Mull, wry comic master of ‘Fernwood’ and ‘Roseanne,’ dies at 80. An accomplished musician and artist, Mr. Mull performed in roles from Colonel Mustard in “Clue” to a ...
Martin Mull, whose droll, esoteric comedy and acting made him a hip sensation in the 1970s and later a beloved guest star on sitcoms including “Roseanne” and “Arrested Development,” has ...
Martin Mull, whose droll, esoteric comedy and acting made him a hip sensation in the 1970s and later a beloved guest star on sitcoms including Roseanne and Arrested Development, has died, his ...
LOS ANGELES (AP) — Martin Mull, whose droll, esoteric comedy and acting made him a hip sensation in the 1970s and later a beloved guest star on sitcoms including “Roseanne” and “Arrested ...
Mull, who died June 27, appeared in the 1970s series Mary Hartman, Mary Hartman, and later starred in Fernwood 2 Night. David Bianculli offers an appreciation, then we revisit a 1995 interview.
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